The Devil’s Yasna is both scripture and the spoken, chanted, and sung aspect of a large expansive ritual. Majority of the spoken aspect of the Devil’s Yasna is reading in the mode one reads poetry in a 7 metre rhythm. The Manthras found throughout the rite are chanted like Hindu mantras, but have a different effect and purpose. The Ahrimani Gathas, are songs that hold the religious mystery and understanding of His worship. In Dastur Adam Daniels’s new book, Ashemaogha, all of these aspects are broken down and explained.
Lets back up, and what does ashemaogha even mean? To be a blunt, profane apostate, which is the worst human enemy the Zoroastrians ever had. The Dastur is organizing all of the Dakhma’s literature to follow a progression for a lay person to follow through the entire spiritual and religious aspects of Traditional Ahriman in the easiest way possible. The inherent problem is that people are to caught up in the Kali Yuga aka Evil Age, to give a damn about Liberation and religious practice. Let alone aligning themselves with the force recognized by Rudolf Steiner and the Theosophical Society as the surfacing power in this Evil Age.
So, let us look at the very nature of this type of worship. In a theistic understanding of Zoroastrianism, the Mobed and Herbad at the fire temple would celebrate the Yasna every morning. At times, if lay people payed the clergy, they would perform the Yasna to fulfill the desires of those lay people. Either way, the Yasna was done every morning to consummate with Ahura Mazda, and yes the term consummate is used because its the best translation one can give. In dealing with Angra Mainyu, its a perfect term to explain the over purpose of this ritual.
In order to worship this antithetical force, you must understand His nature. Ahriman vowed to turn Ahura Mazda’s creations against him and to bring mankind to love Himself. Ahriman’s weapon is concupiscence, and this usually applies to sex but it may also apply to any “sin” that sends an overwhelming impulse to commit said “sin.” Through this type of vexation, that Ahriman sets you free from the religious dogma of Ahura Mazda. For it is freedom from religious laws of this “Creator,” which creates “evil.” The truest evil per Zoroastrianism is to never acknowledge Ahura Mazda, and the world’s population headed that direction quickly.
Understanding that Ahriman’s main weapon against humanity is overwhelming animal impulses, we must recognize the name of this which is Aka Manah (Evil Mind). Through the longevity of reading or listening to the Devil’s Yasna, we begin the consummation with the Devil. There is knowledge to be gained through the study of the Evil Ideology, but if you seek worship and wisdom of and from Ahriman, you must commit to a life long relationship to Him. This daily consummation of devotion allows the Spirit of Anguish to reveal Himself over time. Like any spiritual path, repetition is key to receiving any knowledge or wisdom.
Even as Dastur reveals our religion and spiritual practice, the secret sinister knowledge is only revealed by doing the path work. Only the daily practice with devotion to Ahriman will allow you to attain that dark understanding that can only be transferred in revelation of commune with the Devil. Even though we reveal our scripture and mythology, we are not able to reveal the wisdom because only Ahriman can release you from the prison of your mind that the creator has put you in. So, key point is to understand, these rituals, prayers, hymns, chants, and etc is all the work the individual must do themselves. This a religion that requires longevity to attain all its benefits, this is no a quick black magic of Ahriman scam to give you a false bravado.
The elements of worship in the Devil’s Yasna are idol or symbol of Ahriman, menses blood, Soma plant, Amanita Muscaria blight, milk, pomegranate juice, athame, Ghee, pita bread, seared meat (beef), chalice, crimson pillows, 7 mirrors, incenses, and music. Soon, Dastur Adam Daniels will begin a video series explaining all of these things. Mobed Kelsey Daniels, already went over the menses blood. The how too is coming, but in the meantime its highly suggested getting First Step toward Ahriman, this begins the path work. It also, teaches you all you’ll need to start the process of actual devil worship. In time, you’ll come to see things become easier as the path constantly builds on itself.
Devil’s Yasna Chapter 62
A lot of questions have been surfacing about what happened at the Consumption. I am glad to see enough of you have seen the last 5 minutes of it and not listening to the other side saying it never happened. I have been able to piece together the broken bits of experiences for me based on other peoples’ recalling of the whole event in the Civic Center. Like Adam explained there are layers of the rite. The first is the idol of Kali. The one that stuck out to me was one of older dark stories, not the young blue skinned image that has been more widely accepted. When I saw it I knew there was something different about it. The way it looked at me I knew she was mine. Adam got it for me and it is deceivingly heavy. On the way home I sat in the front seat with her in the seat with me. I didn’t want her to be anywhere else. By a third of the trip home Adam started being more aggressive. Her energy was expanding already. When we were almost home I looked around outside and saw things destroyed, houses barely standing, trees gone, red sky. Kali and her destructive, bloody persona had made her way into my mind already, just having her in my lap. Then we got her home and as soon as she was in the back room Adam started being his jovial self. We got the red flowers soon after because her anger started pervading the rooms around her. When we got the garland I put them on her and almost immediately I felt internally happy and girly. The red flowers that adorned her was because it is said that red flowers pleased the goddess so she was easier to work with. Then there was the sitting down on the red pillow in front of her with the 108 bead japa mala and doing 3 mantras. The first one is Om Kleem Kalikayei Namaha. Basically it is me saying “Hi, I welcome she who is dark into me” I said this the first 27 times. On the Mala, every 27 beads is a lapis lazuli bead. When I came to that it lets me know to pause. Then the second mantra is Kring Kring Kring Hring Kring Dakshinee Kalike Kring Kring Kring Hring Hring Hung Hung Swaha. It was said 27 times. It is a prayer to her go gain her favor, to cause her gaze to turn to me. Then while practicing the rehearsal I drank water from the chalice next to the idol. After that was the time to be splashed with blood. For practice we used water in the bowl so that first time I knew what to expect but I was still surprised because the water was cold. But after that, the last 27 times I said Om Maha Kalyai Ca Vidmahe Smasana Vasinyai Ca Dhimahi Tanno Kali Prachodayat. This is pleasing for the goddess to hear and lets me gain her favor. In particular at the Civic Center that was the mantra I said to evoke her into me. I will interject here that Adam has described working with the Daeva in weekly ritual as them being a cell phone and talking with them on the phone and what I did was take that cell phone, cut a hole in to top of my head, and put the cell phone in the hole in my head and let it go. I laughed and I thought about it and said, that’s a good way of describing that. After rehearsals there were times it was harder to shake that concentrated anger after it was over. The anger and destruction of things around me, be it in the Dakhma or outdoors to have more room to do all 3 separate parts of the Consumption, kept growing during the last mantra. There was one rehearsal the people recording the documentary got that the rest of everyone could tell something wasn’t right so they all left Adam and I to ourselves and I fought letting her anger go. So Adam had to press chakra spots and told me to let her go and it was harder to. I wanted to keep that anger and let it grow. I wanted to start smashing that fucking statue and set the neighbors trees on fire and rip the fence out of the ground and smash the windows. I wanted to destroy it all. I know that when I came to again it was because they said Adam told me to walk barefoot around the fire pit. By then the other members felt comfortable enough to take things back inside. The rehearsals were fine but what got worse was the same bloody, screaming nightmares that repeated every night. I don’t feel able to talk about them now. She was pervading aspects of my life during the day and at work, when I was picking up, how I treated people outside of the house, Adam and the kids say I changed in my behaviors with them as well. There were times I was cleaning and they said it looked like a few steps of a dance, very, very flowing. And there were the physical changes as well too. I started to look younger and healthier. I became compulsed with wearing 2 sets of small silver hoops all the time and I bought a set of 16 silver bracelets at work, and felt happy hearing them jangle together. I was also lightening my hair and before the ritual dyed it brown from the multilayered colors of bleach. I got a brownish, golden look and there were times I was disgusted by it then one selfie on my phone I had my makeup spot on and stood in front of the Kali banner and was creeped out by it because the similarity in my hair with hers. I’m not that bad now, but it still comes in waves-wanting to physically become her as much as possible. Then came the night of the ritual. When I started walking down the hallway at the Civic Center it was lined with individual pockets of mass like the druj and divs were against the walls, greeting us with zest and energy. That morning Adam and the guys went inside to set up and they said it was empty down there earlier. But when we were set up before the ritual the energy from outside from all the crazy catholic prayers and high angst-and fainting from heat exhaustion-it was like I was hyper and ready to play. We did the black mass, I had some weird experiences with that, then after I recovered and the guys had set up for the Consumption I joined Adam on the stage so he can explain about Kali and what I would be doing. The smell of the oil was growing and starting to help me feel relaxed. Then it came time to start. I have to interject here and realize I hadn’t explained the mirrors. Those of you still reading, thank you. Have you ever been looking at a mirror and then see your reflection behind you in another mirror? Like at a department store as a kid and there were as set of like 4 mirrors in different angles so you can see how things you are trying on look? It has always been different for me. I felt like there was more behind the mirror than I saw. Well, in the Dakhma we have incorporated using 5 mirrors reflecting into each other. In theory if you have 2 mirrors reflecting off of each other it creates a gateway. So there are 2 gateways crossing each other. Adam having peeled back more layers in time has simply incorporated the guardians of the Dikpala. It is for the different directions around the room. Having said that I can return to the ritual in the Civic Center. I got in the mirrors in the pentagonal setup. When I sat on the pillow in the middle facing the idol, there were 2 mirrors pointing like an arrow, one on my left, one on my right, and one behind me. I have no memories of this but everyone said that I was reaching for one of the mirrors and it looked like I was grabbing something. I thought I was touching the idol in front of me. I was reaching for where the energy was coming from-making that physical connection with the deity. With the recital of the first mantra I saw things get darker and out of focus. I thought they had turned the lights low. I lose memory but during the second mantra I looked into her eyes, not right above them, as Adam directed me to during practice. According to the other people who had done the prayer around the statue when they were done, they watched me and said I became quieter and was reaching to the mirror and it looked like I wasn’t there mentally. I remember seeing the video camera down next to the left of the idol. I don’t know if Adam actually prompted me to drink but I remember the cold of the water in my mouth. I put the chalice down and jumped inside because the blood was poured on me. It was cold and thick and felt good. Then the next mantra was started and it got darker and colder. I felt goosebumps. Adam told me that the main camera the other people used was focused on me next to the idol while I was reaching for the mirror and the guy with the microphone was behind me. I could see between that on my left, outside of the mirrors, 3 individual figures. Then 4 on my right that was in my sight while focused on the idol. They were dark and ominous and corrupting but I felt safe so I knew that they were our guardians because as it easy for me to go through the mirrors to connect with something and pull her out to our side it is easy for something else to come with me. The next recollection I have is Adam picking my right arm up and I pulled back. I wanted to sit there and keep that connection going. As he pulled me up to standing I realized I didn’t want to put the mala down so while I was countering the heavy weight of every fiber of my being wanting to sit down, I remember putting the mala over me and I cooperated with coming out of the pentagonal mirrors. I was filled with red thoughts and sight but it was darker and I was cold and tired while I with help walked to get the knife. Then when I got the knife in my right hand I saw brighter around the idol of Mary, like they had a spotlight on her and I stalked around her like she was prey that was already dead before being sacrificed, like in war. The areas around her were dark. I only saw the mary idol and the square. The member that handed me the heart after the smashing said my eyes were black and he was thinking ‘how much of Kelsey is left in there now?’. The image I chose for my facebook profile is taken when I looked up at Adam. I have no recollection of seeing anything other than glimpses of the red on his robe and blackness. I remember feeling satisfied. The next memory is of Adam picking me up and I was shivering I was so cold and I felt like a baby animal trying to walk for the first time. But after that and up til now is another blog, this is just what I have pieced together of other people telling me what happened. And the last bit is my eyes stayed that ice blue for 3 days after the event before returning to their normal color.
Here is what is Left of Mary
THIS WAS THE GREAT CATHOLIC DEFENSE
From our Internation friend, expressing his feelings about Jesus.
Both the Way of Ahriman and Bible of Corruption will be retired with the publishing of Living Embodiment of Ahzi-Dahaka. Here is the reworking and additions to the Traditional Ahrimanism ritual tools:
Purpose of ceremonial magic is two-fold, to give sacrifice to the Daeva and to make request of the Daeva. Each particular tool has a purpose in Physical Reality and in the Invisible. We use these things as a way of celebrating and coming together to worship and sacrifice to seek the favor of the Daevas and seek help and guidance from the Invisible. Human beings have lost their religious way and spiritual understanding of how the Invisible interacts with the Physical Reality, and this shows us that the time of Ahrimanic Teacher is imminent because of the religious deviation, division amongst all things, and belief only in Physical reality by way of science. These destructive ideologies promulgate the Devil and strengthen Him.
Throughout time, Daeva have whispered to people the ways of magic and chaotic worship. Many misunderstood in the Medieval Times, that Hebrew mysticism was the true path to become a living god or to have attained god like powers, and this same issue is alive and prevalent in the Occult world today. Many magicians are often too scared to throw off the shackled righteous fear of Hell and they miss out on the extraordinary power of sorcery. Ashemaogha Yatus, are sorcerers that attack Ahura Mazda, and makes apostates out of his followers. For as Sorcerers we are to create vexation on all living things and destroy the “Good Ideology” by any means necessary, and especially with magic because it directly attacks Ahura Mazda himself.
There should be two physical altars in the ritual chamber, the floor altar has 2 purposes and is located in the center. First purpose is for the Devil’s Yasna, which should be done a minimum of twice a month, but weekly is best. The secondary purpose of the floor altar, is to raise it up to waist level for rituals that require a spiritual flesh altar, and it should be covered with a layer of black satin and a second layer of crimson red satin. The floor altar should lay North to South, if sitting the head priest is looking North and if standing the head priest is facing the West wall. The North Altar stands at the north wall running East and West as standing altar that the nightly transformative rituals are done.
The Outdoor Altar is used for Quartly Rituals that are done on the Equinoxes and Soloists, and yearly feast should cooked in the fire pit part of the Outdoor Altar. The fire pit should be 4 foot circumference about 18 inches deep, with a square retaining wall that encompasses the circular fire pit that is 5 foot by 5 foot; made from limestone bricks. The pentagon should have its peak pointed to the North and the point should line up with the center of the circle of the fire pit with a 10 foot base. The pentagon is made of large pieces of lumber with plastic laid on the open ground, and then fill the pentagon and around the retaining wall with pea gravel. Place a canopy over the fire pit to protect it from the elements.
On the altar should be two candles. Left front corner has a black candle. This represents the Left-hand path and Melek Taus’s black flame. Melek Taus guides us with this flame both in our internal elevation and evil enlightenment. Right corner has a red candle, and represents the fire and will to concur by sustaining one’s own existence. It’s with the Devil’s passion and chaos that we make our own way.
The athame is a forceful tool used by the Traditional Ahrimanist to extend his conscious mind’s command of desired magical out come and will into a finite point. It is also used as a spiritual self-defense tool that can cut an entity down for a time if it’s attacking or being abstinent. In many magical traditions, there are a variety of items that represent the magical male aspect of sexual nature of the blasting ideal of ejaculation. Using the metaphor of a mushroom spore rain, sends the potential agitation to fertilize the ground to reproduce and continue its genetics. The athame is by far the most precise version of the tools and the most base which gives it the most potential power.
Chalice, Offering Bowl, Menses Pot, Soma Cups
All of these containers have different jobs but maintain the same purpose of representing the feminine aspect of magic in the Invisible. The Chalice gives the intoxicating libation of the female flesh that lowers inhibition and allows for fuller emotional expression and experience. In Traditional Ahrimanism, the offering bowl represents the barren female that still collects the offer of the ash that is the remnants of desire delivered through Agni, which charges ash for defilement. The lushest menses pot holds that very fluid of the sweetest corruption and concupiscence that calls the Daeva like beacon in the darkest night. The Soma Cups hold the nectar of Zariz, through the Soma drink Angra Mainyu gives his blessing to the Sons of Adam.
The sound of clashing metal is music to the ears of the Daeva. They are accustom to the sound meaning war and fighting, which is chaos, death, and blood. This is to summon the Daeva to hear our request and receive our sacrifice. The opposing noise would be banging a brass bowl or ringing a brass bell. That is the reason that Traditional Ahrimanism has removed the use of the clearing bell. It drives away the Daeva and calls the Ahuras into the space, though it can be used like Pavlov’s Conditioning methods.
Parchment or Flash paper
For traditional purposes, parchment paper is used for ritual requests. For thousands of years man has used animal skin to write on. Holding their tradition, the requests are written an animal skin. The requests are then burned and Agni delivers the request to the intended Daeva. Flash paper should be used to cover sacrifices that are to be burned, and the flash is your way of knowing Agni has your sacrifice.
Altar Plaque and Amulet
The symbol of the Seraphim is the recognized by the denizens of Hell. The altar plaque should be 18 inches in diameter. The symbol of the Seraphim is different than the normal Baphomet. The face of the lion is maintained due to the long time association of the lion and Ahriman. The six wings is the authority of the Seraphim. Around the Seraphim you find sigils of Ahriman, Melek Taus, and Jahi. These are the ruling body of Hell and Earth. Through our Spiritual Oligarchy can all the spenders of the Physical World be attain if one destroys the enemy’s Spiritual Kingdom.
Uses the pentagonal setup of 5 mirrors (like the center of the pentagram, apex pointed north) allows for an X crossroad versus a + crossroad. The infinity crossroad allows for direct energy exchange with the Devil. The third vector is created by having mirrors in and above the space enclosed within the pentagonal gateway. This allows for the physical temple to be projected and become the spiritual temple as well. Here is, behind the black hole do we conspire with Angra Mainyu.
Strobe lights have a more mental purpose to help connect to the Invisible. Its best t0 use three different strobe lights running at three different speeds. Bounce the lights off the mirrors to enhance the infinity vector of the crossroads. This amplifies the direct link of the subconscious mind to the Devil’s Domain through the gateway that is opened by the mirrors. It’s best to have both mirrors and strobe lights on the floor, minus the one mirror on the ceiling. If people who are part of the ritual have epilepsy or start having seizures then be ready to deal with that.
These are used for a twofold purpose. Charging the ritual chamber with a Tesla Coil allows us to bring in O3, which also cause the same type of electro-static charge of the earth’s atmosphere. This also produced the same ionization that is found after a lightning strike and the gamma reflection of the Moon, which in turns creates a charging environment for the Invisible Daeva. It also charges the human adrenal response, which also causes the molecules of our cells to become energetic. Ritual requires the tapping of the reptilian brain. The major emotions of fear, anger, and lust live here. The higher the emotional response, the better results can be.
Oils and Incense
Knowing that the sense of smell is the sense that connects strongest to memory, its best to use oils and incense that are unique and outside the normal range of daily scents. The burning of incense is another offering and sacrifice to the Daeva. Sandal incense have proven to be best to appease the Daeva. Cypress and Pine Tree scented oils bring about the scent of the Fly Agaric Mushrooms because they grow at the base of these trees. Make the scent of the ritual chamber conducive to the Daeva and a remembered scent to those who worship there.
The scent is the catalyst to the emotion to occur, and then music drives the emotion through the ritual. Instrumental music is best because lyrics can be distracting, which can break mental focus and can separate emotional experience of the ebbs and flows of the music while disrupting the spoken aspect of ritual. The addition of white noise, bi-nary beats at the Theta level, is best to bring about a good trance state that allows for the highest amount of creative energy that allows communication directly to the Indivisible. Black noise of chaos can also be added to create an adrenal response and an uneasiness that allows for focus to be maintain without falling asleep. Musical ambience is important to establish and maintain emotional response to include the mesmerizing effect of a strong beat that follows the spoken aspect (Celebration is ritual and ritual is sacrifice).
A physical representation of a Daeva that is worshiped allows for both the devotee and the Daeva to store energy together. This allows for a reservoir of energy for both. It also gives that particular Daeva and anchor to the Physical Reality that gives easier congress to be summoned into ritual. The use of a clear quartz crystal can help with the communication between the devotee and Daeva. The combined essence of both idol and crystal gives a Yatus a unique combination to commune with Daeva.
Japa-Mala and Gem Stones
As one progress on the path of Evil Enlightenment, mantra and tantric working that will require the use of counting device that becomes charged with your Prana and the Daeva’s spiritual essence. Rudraksha Japa-Mala is the chosen mala because it is the prayer beads use by Shivites, and Rudraksha means Rudra (Shiva/Nanshait) and aksha means eyes or tears. The mala is to be made of 108 seeds from Rudraksha Tree (which is an evergreen tree) 3 Lapis Lazuli spacer beads, 1 bindu bead made of ox bone, and Seraphim or Om pendant. The use of a variety of gem stones are used to be charged in the use of mantra, planetary mantra, masturbatory tantric work, and other Chakra workings. These stones can be used with combination of seed mantra working and your intent to use against a target to attack spiritually.
This should be your personal journal of nightly ritual and the recorded after effects. In the Traditional Ahrimanist Temple, the Ritual Book is the hand written clergy manual written by the Mobed of that chapter. Nobody is to handle that book except the Dastur, Mobed it belongs to, or that Mobed’s Herbad. This is book used in weekly, quarterly, and yearly rituals. It also contains the secrets of the clergy, will be maintained under lock and key.
Yantras are used similar to angelic or demonic sigils or seals. You may also find that working with Yantras was stolen and reworked by the Jews with their Qabalah practices. The point of Yantra working is to open your subconscious mind to the influence of the Daeva that choose to work with at that time. These could be used for the purpose to allow for communication with a Chakra Guardian Daeva or use for exterior magic in the form of a talisman that can be charged for your own purposes. The most common you find are Chakra Flags but those are missing the Deva and his spiritual chariot and only have the concurrent color and Bindu symbology.